gretchening

13Oct/090

Bookshelf

I finally got around to unpacking all of my books, and surprisingly they actually fit on my available bookshelves! I did a ruthless purge before I moved, sold three boxes or so of books, so I guess I'm used to thinking I have more of them than I actually do!

Anyhow, for a wannabe librarian I'm not excessively organized about my books. I actually group them by size (where will they fit?) and loosely by genre, but really it's by emotional impressions and relational reasons in my head. I'm an intuitive book owner, and my system is not exact.

So, I sat down to my computer after finishing up, and looked over at the bookshelf by my desk. The bookshelf itself was my grandmother's, and it's my favorite one (I even love it more than I love my bookshelf-bed). So all my favorite books or genres of one kind or another are on here, as well as most of my nonfiction and theory because hey, you never know when you'll want to consult Simians, Cyborgs and Women or Sister Outsider. (ETA: And actually, I swear to god, not one week after posting this I actually DID have a conversation with a friend in which I leaned over and looked at Haraway. Trufax, I am not joking.) Also the books I need for school are here so they're handy when I go to do my assignments.

Anyhow, I realized that my bookshelf is predominately full of female authors. I had a hunch about that, and leaned over and counted them--out of 127 books, only about 20 are by men, and about half of those are Chip Delany. A handful are by trans people. HM. Of course, I have tons more books elsewhere in the house that are by white straight men, don't worry.

It feels good to have all the books back in my life!

I had an angsty wallow last night about writing anxiety. I've been having a lot of anxiety about writing of all kinds lately--homework assignments to emails to blog posts to fiction to feedbacking to book reviews to comments to tweets, all of it. I am trying to be compassionate to myself, but I'm really struggling with that because I don't think I'm as good a writer as I want to be, and so much of my personal and professional interests are tightly bound up in writing and reading, so much so that I think writing is an integral aspect of my identity. If I can't see myself as a writer, what am I? These are the sort of existential questions that keep me up until 2am flicking mournfully through my WIP folder.

In other news, hey, did you know that women and gays are apparently ruining Sci Fi for the rest of us them? Seriously, these dudes are so privileged it goes beyond offensive right into hilarious.

15Sep/090

Alien Nation

I watched Alien Nation a couple of days ago (the one with James Caan and Mandy Patinkin from 1988--I've never seen any of the show or movies before). I was surprised at how it was actually pretty good, despite being cheesy with gaping plot holes.

Basically, an alien spaceship full of former slaves gets dumped on Earth--the aliens live for several years in quarantine, but now live among Earth (read: American, I SEE WHAT YOU DID THAR, film!) people, marginalized and ghettoized, though many of the Newcomers are integrating into positions of prominence. It was about xenophobia, about integration, about bigotry and the violence that so easily escalates from it. Sykes, a human cop (Caan) is paired up with Francisco (Patinkin), a Newcomer, who is the first of his species to make detective. Caan is impulsive, crude, and blue-collar to the bone. He acknowledges his bigotry openly, and yet he is quick and observant and of course comes round to a deep and satisfying partner relationship with Francisco by the end.

What I appreciated best were the lost little moments that highlight a racist society--the erasure of minority names, replacing them with 'human' ones that are mocking (Francisco's first name is "Sam"--he tells Sykes his given Newcomer name but Sykes immediately dubs him "George", again, "human" privilege in what is and isn't acceptable naming).

I liked the internal conflict between members of the Newcomer race, conflict that drives the plot and that asks serious questions about assimilation (which, in the end, the film portrays as positive), traitorousness, opportunism. The scene where they get drunk together (and how much do I love the sour milk business! These aliens are, like, alien!), and Sykes can't explain why a joke is funny, because humor is so contextually rooted and the Newcomer doesn't have the cultural frame of reference to participate. I loved the extreme deliberation of Francisco, I loved how he tried to act as a bridge and almost fell in the water (metaphorically, but also almost literally!) when he tried to straddle the divide between allegiance to his species and allegiance to safety and justice.

It is by no means a perfect film, and in a lot of ways it's seriously dated and could have benefited by a lot less of James Caan playing James Caan. There were some problematic issues about homosexuality, but this film was not sophisticated enough to do more than take a few potshots. But I'd be interested in the show and will probably give it a try.

   

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